VOESD | verband oesterreichischer sounddesigner

Rudolf Gottsberger

Sounddesigner, Video Editor und Tonmeister

Preise / Teilnahmen:
- 2016 Sieger Max Ophüls Preis mit EINER VON UNS

- 2015 San Sebastian, Zürich International Film Festival, Thessaloniki Film Festival, Viennale mit EINER VON UNS.

- 2012 Regionale mit

1020 Wien

Mobil: 00436764070869
Email schreiben
Website

Fremdsprachen
Englisch, Portugiesisch, Spanisch

Schnittsysteme
Protools, Avid, Final Cut Pro, Quantel, Kyma, Logic

BIOGRAFIE

2019

Born in Evin	Kino	Dokumentarfilm	Tonschnitt, Sounddesign
Tonschnitt, Sounddesign Tonformat: Dolby Digital 5.1 Regie: Maryam Zaree Produktion: Tondowski Films GbR/ Golden Girls Filmproduktion
M - Eine Stadt sucht einen Mörder Folge 1, 2, 6	TV	Serie	Foley Schnitt
Foley Schnitt Tonformat: Dolby Digital 5.1 Regie: David Schalko Produktion: Superfilm
Nevrland	Kino	Spielfilm	Tonschnitt, Voice Soundesign, ADR Recordings
Tonschnitt, Voice Soundesign, ADR Recordings (Voice Sounddesign with Symbolicsound KYMA.) Tonformat: Dolby Atmos Regie: Gregor Schmidinger Produktion: Orbrock			website >>>

2018

Wings of Samothraki	Kino	Dokumentarfilm	Sounddesign, Tonmischung, Farbkorrektur
Sounddesign, Tonmischung, Farbkorrektur Tonformat: Dolby Digital 5.1 Regie: Armin Faymann Produktion: Kipos Production
Thomas Gottschalk - eine Legende	TV	Dokumentarfilm	Tonschnitt, Tonmischung
Tonschnitt, Tonmischung Tonformat: Stereo Regie: Otto Retzer
Helmut Fischer - eine Legende. Unvergessen	TV	Dokumentarfilm	Tonschnitt, Tonmischung
Tonschnitt, Tonmischung Tonformat: Stereo Regie: Otto Retzer
Occupy, Resist, Produce – Scop Ti	Kino	Dokumentarfilm	Setton, Tonschnitt, Tonmischung, Farbkorrektur
Setton, Tonschnitt, Tonmischung, Farbkorrektur Tonformat: Stereo Regie: Oliver Ressler The economic crisis that began in 2007-8 led to layoffs on a massive scale, leaving thousands of newly unemployed workers with little hope of another job. Their response put workers’ control back on the agenda in Europe. For many years beforehand, factories had been occupied and recuperated almost exclusively in Latin America. In most cases an occupation is not a deliberate step towards workers’ control but a means of workers’ struggle against the closure of a production site or company or the relocation of production to another country. The struggles often fall apart without any concrete results. “Occupy, Resist, Produce” focuses on the rare, better organized cases where the purpose of the struggle is to bring production under workers’ control. The workers do more than protest, they take the initiative and become protagonists, building horizontal social relations on the production sites and adopting mechanisms of direct democracy and collective decision-making. The recuperated workplaces often reinvent themselves, building links with local communities and social movements. The 4-channel video installation “Occupy, Resist, Produce” consists of four films on occupied factories in Milan, Rome, Thessaloniki and Gémenos. In these cases the workers did find ways to organize labor under their own control. Each film is based on discussion with the workers. The workers’ assemblies – always the main decision-making bodies – were recorded. It is fundamental to recognize the differences between the situations, contexts and practices of the four worker-controlled companies, but it is also important to understand workers’ control or recuperation of workplaces as a socio-political action rather than a merely economic procedure.			website >>>
Man Stand Still	Kino	Kurzfilm	Sounddesigner, Tonmischung
Sounddesigner, Tonmischung (Tonmischung) Tonformat: Dolby Digital 5.1 Regie: David Lindinger

2017

Anubumin	Kino	Dokumentarfilm	Farbkorrektur, Finalisierung
Farbkorrektur, Finalisierung Tonformat: Stereo Regie: Oliver Ressler In their fourth collaborative film Zanny Begg (Sydney) and Oliver Ressler (Vienna) focus on Nauru, a tiny remote island in the Pacific with 10,000 inhabitants. The title “Anubumin” is Nauruan for “night” and symbolises a certain darkness that surrounds the island. The film combines a poetic narration written for the film with conversations carried out with whistleblowers in Australia. The narration discusses different voids that have shaped the islands past and future. The largest void is a physical one, the island is a raised reef consisting of calcite and phosphate on a volcanic base, which since 1906 has been mined and exported to Australia, to fertilise the former colonisers’ farms. When phosphate extraction came to a stop in the 1980s, Nauru was bankrupt and 80 percent of the land area uninhabitable and infertile. In an attempt to generate income, in the 1990s Nauru became a prime money-laundering haven. After the disappearance of soil and money, today Nauru involves in the “disappearance of people” – housing one of Australia’s offshore refugee detention centres. In a reaction to the criticism on terrible human right situation in the detention centre, Nauru severely restricted access to the island. Four whistleblowers, who worked as doctors and nurses in the detention centre, describe the institutionalised human rights violations in the offshore detention. They uncover a truth the Australian government tries to cover through intimidating people into silence. Today a new void threatens the island, rising sea-levels threaten the coastal edge, which is the only area left for its inhabitants to live. The people who warden the political and economic refugees of today may well become climate refugees of tomorrow. The night is always darkest before the dawn.
Udo Jürgens. Eine Legende: unvergessen	TV	Dokumentarfilm	Tonschnitt
Tonschnitt (Tonmischung) Tonformat: Stereo Regie: Otto Retzer Produktion: Lieblingsfilm
The ZAD / Everything’s coming together while everything’s falling apart	non-commercial	Dokumentarfilm	Setton, Tonschnitt, Tonmischung, Farbkorrektur
Setton, Tonschnitt, Tonmischung, Farbkorrektur Tonformat: Stereo Regie: Oliver Ressler Produktion: Ressler Ein Dokumentarfilm als Teil eine 4 Kanal Video Installation zum Thema Klimawandel. Not too long ago, global warming was science fiction. Now it has become hard science, and a reality we already live in. The latest reports from the sober Intergovernmental Panel on Climate Change (IPCC) suggest that the planet may be approaching multiple thresholds of irreversible damage faster than was ever anticipated. The title “Everything’s coming together while everything’s falling apart” refers to a situation in which all the technology needed to end the age of fossil fuel already exists. Whether the present ecological, social and economic crisis will be overcome is primarily a question of political power. The climate movement is now stronger than ever. It obstructed pipeline projects such as the Keystone XL tar sands pipeline. It stopped Arctic drilling and blocked fracking all over the globe. Coal-fired power plants were shut down by resistance, and the divestment movement that pressures institutions to unload their stocks from fossil fuel corporations has had successes.			website >>>

2016

Ende Gelände: Everything’s coming together while everything’s falling apart	non-commercial	Dokumentarfilm	Farbkorrektur, Finalisierung
Farbkorrektur, Finalisierung Tonformat: Stereo Regie: Oliver Ressler Ein Dokumentarfilm als Teil eine 4 Kanal Video Installation zum Thema Klimawandel. Not too long ago, global warming was science fiction. Now it has become hard science, and a reality we already live in. The latest reports from the sober Intergovernmental Panel on Climate Change (IPCC) suggest that the planet may be approaching multiple thresholds of irreversible damage faster than was ever anticipated. The title “Everything’s coming together while everything’s falling apart” refers to a situation in which all the technology needed to end the age of fossil fuel already exists. Whether the present ecological, social and economic crisis will be overcome is primarily a question of political power. The climate movement is now stronger than ever. It obstructed pipeline projects such as the Keystone XL tar sands pipeline. It stopped Arctic drilling and blocked fracking all over the globe. Coal-fired power plants were shut down by resistance, and the divestment movement that pressures institutions to unload their stocks from fossil fuel corporations has had successes.			website >>>
Züge ins Leben	TV	Dokumentarfilm	Tonschnitt, Tonmischung
Tonschnitt, Tonmischung Tonformat: Stereo Regie: Uli Jürgens Produktion: Kurt Mayer Film			website >>>
There are no Syrian refugees in Turkey	Kino	Dokumentarfilm	Farbkorrektur, Finalisierung
Farbkorrektur, Finalisierung Tonformat: Stereo Regie: Oliver Ressler			website >>>
COP21: Everything’s coming together while everything’s falling apart	non-commercial	Dokumentarfilm	Farbkorrektur, Finalisierung
Farbkorrektur, Finalisierung Tonformat: Stereo Regie: Oliver Ressler Ein Dokumentarfilm als Teil eine 4 Kanal Video Installation zum Thema Klimawandel. Not too long ago, global warming was science fiction. Now it has become hard science, and a reality we already live in. The latest reports from the sober Intergovernmental Panel on Climate Change (IPCC) suggest that the planet may be approaching multiple thresholds of irreversible damage faster than was ever anticipated. The title “Everything’s coming together while everything’s falling apart” refers to a situation in which all the technology needed to end the age of fossil fuel already exists. Whether the present ecological, social and economic crisis will be overcome is primarily a question of political power. The climate movement is now stronger than ever. It obstructed pipeline projects such as the Keystone XL tar sands pipeline. It stopped Arctic drilling and blocked fracking all over the globe. Coal-fired power plants were shut down by resistance, and the divestment movement that pressures institutions to unload their stocks from fossil fuel corporations has had successes.			website >>>

2015

Occupy, Resist, Produce – Officine Zero	Kino	Dokumentarfilm	Setton, Tonschnitt, Tonmischung, Farbkorrektur
Setton, Tonschnitt, Tonmischung, Farbkorrektur Tonformat: Stereo Regie: Oliver Ressler The economic crisis that began in 2007-8 led to layoffs on a massive scale, leaving thousands of newly unemployed workers with little hope of another job. Their response put workers’ control back on the agenda in Europe. For many years beforehand, factories had been occupied and recuperated almost exclusively in Latin America. In most cases an occupation is not a deliberate step towards workers’ control but a means of workers’ struggle against the closure of a production site or company or the relocation of production to another country. The struggles often fall apart without any concrete results. “Occupy, Resist, Produce” focuses on the rare, better organized cases where the purpose of the struggle is to bring production under workers’ control. The workers do more than protest, they take the initiative and become protagonists, building horizontal social relations on the production sites and adopting mechanisms of direct democracy and collective decision-making. The recuperated workplaces often reinvent themselves, building links with local communities and social movements. The 4-channel video installation “Occupy, Resist, Produce” consists of four films on occupied factories in Milan, Rome, Thessaloniki and Gémenos. In these cases the workers did find ways to organize labor under their own control. Each film is based on discussion with the workers. The workers’ assemblies – always the main decision-making bodies – were recorded. It is fundamental to recognize the differences between the situations, contexts and practices of the four worker-controlled companies, but it is also important to understand workers’ control or recuperation of workplaces as a socio-political action rather than a merely economic procedure.			website >>>
Einer Von Uns	Kino	Spielfilm	Sounddesign
Sounddesign (Tonschnitt) Regie: Stephan Richter Produktion: Golden Girls Filmproduktion 2009 erschoss die Polizei einen 14-jährigen Teenager bei einem nächtlichen Einbruch in einen Supermarkt in einem Vorort von Krems. Inspiriert von diesem wahren Fall greift EINER VON UNS das Lebensgefühl der Jugendlichen auf, das von Konsum und ohnmächtiger Rebellion geprägt ist. Der 14-jährige Julian und sein Freund Marko geraten so in Konflikt zum angepassten Stillstand, der die Welt der Erwachsenen prägt. Ein Konflikt, der in einer unerwarteten Tragödie endet.			website >>> trailer >>>
Der ungehorsame Konsul	TV	Dokumentarfilm	Tonschnitt, Tonmischung
Tonschnitt, Tonmischung (ORF) Tonformat: Stereo Regie: Uli Jürgens Im Juni 1940 rettet der portugiesische Diplomat und Konsul im französischen Bordeaux, Aristides de Sousa Mendes, zehntausende Menschen vor der NS-Verfolgung. Er widersetzt sich den Anweisungen von Diktator Salazar, stellt Moral über das Gesetz und unterschreibt unautorisierte Transitvisa für Portugal. Hunderte
Occupy, Resist, Produce – Vio.Me	Kino	Dokumentarfilm	Setton, Tonschnitt, Tonmischung, Farbkorrektur
Setton, Tonschnitt, Tonmischung, Farbkorrektur Tonformat: Stereo Regie: Dario Azzellini und Oliver Ressler The economic crisis that began in 2007-8 led to layoffs on a massive scale, leaving thousands of newly unemployed workers with little hope of another job. Their response put workers’ control back on the agenda in Europe. For many years beforehand, factories had been occupied and recuperated almost exclusively in Latin America. In most cases an occupation is not a deliberate step towards workers’ control but a means of workers’ struggle against the closure of a production site or company or the relocation of production to another country. The struggles often fall apart without any concrete results. “Occupy, Resist, Produce” focuses on the rare, better organized cases where the purpose of the struggle is to bring production under workers’ control. The workers do more than protest, they take the initiative and become protagonists, building horizontal social relations on the production sites and adopting mechanisms of direct democracy and collective decision-making. The recuperated workplaces often reinvent themselves, building links with local communities and social movements. The 4-channel video installation “Occupy, Resist, Produce” consists of four films on occupied factories in Milan, Rome, Thessaloniki and Gémenos. In these cases the workers did find ways to organize labor under their own control. Each film is based on discussion with the workers. The workers’ assemblies – always the main decision-making bodies – were recorded. It is fundamental to recognize the differences between the situations, contexts and practices of the four worker-controlled companies, but it is also important to understand workers’ control or recuperation of workplaces as a socio-political action rather than a merely economic procedure.

2014

Occupy, Resist, Produce – RiMaflow	Kino	Dokumentarfilm	Setton, Tonschnitt, Tonmischung, Farbkorrektur
Setton, Tonschnitt, Tonmischung, Farbkorrektur Tonformat: Stereo Regie: Oliver Ressler The economic crisis that began in 2007-8 led to layoffs on a massive scale, leaving thousands of newly unemployed workers with little hope of another job. Their response put workers’ control back on the agenda in Europe. For many years beforehand, factories had been occupied and recuperated almost exclusively in Latin America. In most cases an occupation is not a deliberate step towards workers’ control but a means of workers’ struggle against the closure of a production site or company or the relocation of production to another country. The struggles often fall apart without any concrete results. “Occupy, Resist, Produce” focuses on the rare, better organized cases where the purpose of the struggle is to bring production under workers’ control. The workers do more than protest, they take the initiative and become protagonists, building horizontal social relations on the production sites and adopting mechanisms of direct democracy and collective decision-making. The recuperated workplaces often reinvent themselves, building links with local communities and social movements. The 4-channel video installation “Occupy, Resist, Produce” consists of four films on occupied factories in Milan, Rome, Thessaloniki and Gémenos. In these cases the workers did find ways to organize labor under their own control. Each film is based on discussion with the workers. The workers’ assemblies – always the main decision-making bodies – were recorded. It is fundamental to recognize the differences between the situations, contexts and practices of the four worker-controlled companies, but it is also important to understand workers’ control or recuperation of workplaces as a socio-political action rather than a merely economic procedure.			website >>>
The Visible and the Invisible	Kino	Dokumentarfilm	Tonschnitt, Farbkorrektur, Tonmischung
Tonschnitt, Farbkorrektur, Tonmischung (Farbkorrektur, Tonmischung) Regie: Oliver Ressler In recent years, Switzerland has become the global center for commodity trading. In no other country are more commodities bought and sold than in Switzerland; nevertheless, the crude oil, copper, aluminum, coal or wheat never reaches Swiss territory because the deals are carried out completely in a virtual world. Despite its importance for the Swiss and the global economy, the public knows very little about these secret transactions.
Ein Augenblick Leben	Kino	Dokumentarfilm	Sounddesign
Sounddesign Regie: Anita Natme Produktion: Novotny & Novotny GmbH			website >>>
Jackn	Web	Spot	Color Grading
Color Grading Tonformat: Stereo Regie: Hansjoerg Schmoller Musikvideo für Polyrac
In The Red	Kino	Dokumentarfilm	Color Grading, Tonschnitt
Color Grading, Tonschnitt (Tonmischung) Regie: Oliver Ressler			website >>>

2013

Leave It in the Ground	Kino	Dokumentarfilm	Sounddesign
Sounddesign (Tonmischung, Color Grading) Regie: Oliver Ressler			website >>>
The Plundering	Kino	Dokumentarfilm	Sounddesigner
Sounddesigner (Tonmischung, Color Grading) Regie: Oliver Ressler			website >>>
The Right of Passage	Kino	Dokumentarfilm	Sounddesigner
Sounddesigner (Tonmischung, Color Grading) Regie: Oliver Ressler			website >>>
Checkfelix	TV	Werbung	Editor, Sounddesigner
Editor, Sounddesigner (Tonmischung) Tonformat: Stereo Regie: Manes Duerr Produktion: PING PONG COMMUNICATIONS GMBH Agentur: Demner, Merlicek & Bergmann			website >>>
Lays	Kino	Werbung	Sounddesigner
Sounddesigner Regie: Manes Duerr Produktion: MelP Productions			website >>>

2012

Take The Square	Kino	Dokumentarfilm	Kamera, Executive Producer, Sounddesigner
Kamera, Executive Producer, Sounddesigner (Tonschnitt, Color Grading) Regie: Oliver Ressler Produktion: studioROT OG			website >>>
Goa is not India	Kino	Dokumentarfilm	Regie, Editor, Sounddesigner
Regie, Editor, Sounddesigner (Produzent, Musiker, Tonmischung, Farbkorrektur) Regie: Rudolf Gottsberger Produktion: studioROT OG			website >>> trailer >>>
The Bull Laid Bear	Kino	Dokumentarfilm	Sounddesigner
Sounddesigner (Soundeditor, Re-recording Mixer) Regie: Zanny Begg & Oliver Ressler			website >>>

2011

Saturn \| Lehrlingskampagne	Web	Werbung	Editor, Sounddesigner,
Editor, Sounddesigner, ( Tonschnitt) Tonformat: Stereo Regie: Manes Duerr Produktion: Raftfilms			website >>>
Den letzten fressen die Fliegen	Kino	Kurzfilm	Editor, Sounddesigner
Editor, Sounddesigner (Tonschnitt) Tonformat: Dolby Digital Regie: Hansjörg Schmoller			website >>>
Kendrick	Kino	Kurzfilm	Editor, Sounddesigner, Postproduction Supervisor
Editor, Sounddesigner, Postproduction Supervisor (Tonschnitt) Tonformat: Dolby Digital Regie: Christoph Gerhard

2010

Nueva vista	Web	Dokumentarfilm	Editor, Tonschnitt
Editor, Tonschnitt (Tonmischung) Tonformat: Stereo Regie: Co Regie
Socialism Failed, Capitalism is Bankrupt. What comes Next?	Kino	Dokumentarfilm	Color Grading
Color Grading (Tonmischung) Regie: Oliver Ressler			website >>>
#unibrennt	Kino	Dokumentarfilm	Sounddesigner
Sounddesigner (Tonschnitt) Tonformat: Dolby Digital Regie: Antonin Swoboda Produktion: COOP99			website >>>
Fluc, fluctuated Rooms	Kino	Dokumentarfilm	Editor, Sounddesigner
Editor, Sounddesigner (Musiker, Tonschnitt, Tonmischung, Farbkorrektur) Regie: Armin Faymann
Commune im Aufbau	Kino	Dokumentarfilm	Soundeditor, Sounddesigner
Soundeditor, Sounddesigner (Tonschnitt, Re-recording Mixer, Edit Supervisor) Regie: Oliver Ressler und Dario Azzellini			website >>>

2009

Aus dem Leben gerissen	Web	Werbung	Editor
Editor (Sounddesign) Regie: Manes Duerr Produktion: Raftfilms			website >>>
As ist goes	Kino	Kurzfilm	Tonschnitt, Sounddesigner
Tonschnitt, Sounddesigner Regie: Hansjoerg Schmoller			website >>>
What Is Democracy	Kino	Dokumentarfilm	Musiker
Musiker (Tonschnitt) Regie: Oliver Ressler Teilnahme an der Biennale de Lyon, 2009			website >>>

2006

5 Fabriken	Kino	Dokumentarfilm	Tonschnitt
Tonschnitt Regie: Oliver Ressler und Dario Azzellini

2005

Dschingis Khan - Reiter der Apokalypse	TV	Dokumentarfilm	Sounddesigner
Sounddesigner (Tonschnitt) Tonformat: Dolby Digital 5.1 Regie: Heinz Leger Produktion: Interspot			website >>>

2003

Nika Ithemba	Web	Werbung	Tonmischung
Tonmischung Tonformat: Stereo Regie: eYeM Production Imagefilm : das offizielle Life Ball Video

2002

Die Fleischerfrauen	Kino	Spielfilm	Sounddesigner
Sounddesigner (Tonschnitt, Re-recording Mixer) Regie: Rainer Weidlinger			website >>>

2001

Das Spiel	Kino	Kurzfilm	Sounddesigner
Sounddesigner (Musiker) Regie: Volkmar Geiblinger
Die Alptraeume des Franz Beckenbauers	Web	Kurzfilm	Sounddesign
Sounddesign Tonformat: Stereo Regie: Lukas Sturm